Tuesday, August 18, 2026

The Annunciation Continued....

 


Beyond The Glow... The Shadows..... 

I Suppose, Dear Readers, it would be Reasonable to assume that in a week I could, and would, finish the Annunciation painting in The Chapel. You can see above the status of the portrait at the end of last week's blog, all the brilliant colors mapped out and the glowing golden background emphasizing the nature of this moment. But alas, as with real life, the story is not complete without the shadows, and as with real life, the shadows are not as easy to define, even though there is a "road map" to follow. I made changes to the Archangel Gabriel's presence in this picture... and even that has shadowy repercussions. In the original illumination, Mary is the Embodiment of Serenity and Grace. She is at Peace, while Gabriel with his wings and fluttering garments is all energy and motion... a force that cannot be ignored no matter that he comes to a standstill in Mary's presence. 

 
And yet, I have removed three quarters of Gabriel's form
 in my version of the painting. 
I have changed his relationship to Mary entirely
 to fit him into the narrower window of space.
 Both his arms are positioned slightly differently, 
his wings are almost not visible, 
and while I have tried to keep the agitated lines
 of his garments to express his urgent nature,
 even that is severely constrained by the space, 
but also by my humble abilities with rendering the shadowed folds.
 Even his banderole with its eternal message
 has lost its vigorous assertiveness 
and wavers across the space. 
So many alterations, but I would not change a one of them. 
It is what it is, and there is nothing I can do but wing it.

 
I began with their faces, 
and as often happens while I am actively painting, 
I forget to take any progress pictures. 
Suffice it to say they fairly quickly showed their true colors.
 I honestly do not know how this happens... 
it is such tiny dabs of paint, layer upon layer,
 adjustment after adjustment, building the shadows,
 defining the expressions...
 me seeking the thing I see on the page and finding something else, 
all it's own, but unmistakably real. 
And at a certain point I have to stop and leave it as it is.
 Gabriel has arrived with his alarming Announcement...
(I will not go down the path of my feminist rant here...) 
and Mary Sees Gabriel and accepts this Announcement with all her Grace.
 And I see this and think, Wow, that was fast.
  And yet, I still must render all those folds and shadows,
 for they, too deliver the message.

 
As with their hands.... 
the motions are so standardized and specific.... 
my ability to copy them, less so... 
but perhaps still good enough.... 
once the shadows have made them realistic.

 
And then trying to capture the motion of Gabriel's garments.... 
which cannot just follow the original path... 
there is no room for that, so all I can manage
 is a suggestion of folds and sweeping energy... 
(the ancients wore draped garments and understood viscerally
 their weight and folds... we have no language for this
 in our lives of skin tight stretchy stuff 
and no concealment whatsoever!) 
But I digress... and I am settling for rendering bulk
 where I cannot fathom the energetic movement of wafting cloth.... 
layer by layer... color by color, shifting the folds
 adding the shadows which hide so much.

 
And tiptoeing into Mary's attire.... 
so composed and calm by comparison.... 
except for the agitated drapes of her undergown 
folding in ruffled clouds at her feet. So eloquent the feet....!

 
And still wrestling with Gabriel's gown and stole.... 
a little darker here a little lighter there... 
and venturing to add the draped folds of Mary's cloak... 
such a calm counterpoint!

 
And adding some clarity to Gabriel's halo....
 and details to his wings.... 
the merest suggestion of winged power....
 And all the while still wrestling with Mary's calm acceptance....
 her absolute Peace with the unfolding of the unknown.....

 
So you can see, Dear Readers, one would think 
it would be a breeze to complete just these two well defined figures....
 but somehow the Shadows.... 
always wrestling with the shadows.... 
tells a different tale. 
Beyond the brilliant Golden Glow are the shadows, 
and they both complete and complicate the picture.
 And so, I am still painting in the shadows....


 

4 comments:

  1. Hi Betsy! I love your version of Mary and Gabriel. Their faces are so expressive, and I enjoyed reading about how the faces show up for you while you're painting. I'm especially impressed with how you painted it on a corner, and it looks perfect. The corner adds dimension, which makes it even more special. The golden glow is spectacular. You have mastered that technique! Thank you for sharing this beautiful update!

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  2. It's wonderful ~ how I envy your artistic abilities!

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  3. Oh Betsy, the details really do make all the difference! I especially love the faces of Mary and Gabriel. The eyes and mouths are so full of character and so incredibly detailed. And although they look quite large on the screen, I know that in reality they are teeny-tiny. So all the more impressive—wow! But I know now that artistry has been in your genes for generations, so I’m not really surprised by this high level of execution. Of course, I Googled your great-great-aunt (the wonders of the internet!). There aren’t that many of her paintings available online, but the ones I found really made an impression on me. She clearly had real talent! What an incredible shame that she died so young and never had the chance to develop her talent further.
    It is indeed a shame that Josje no longer blogs. She now shares videos on her YouTube channel. Those are also very enjoyable and inspiring, but what I personally find a little unfortunate about this kind of media is that you lose the chronological and narrative aspect that you do have with a blog. So I hope you’ll keep blogging for a very long time to come!

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  4. This was an informative read. It's always interesting to learn how small adjustments can improve embroidery quality.

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