Slow But Steady Progress...
I Left You last week, Dear Readers, with the beginning of the Brocaded gown being stitched on the Medieval Lady I am adding to the Tapestry kit from Janet Granger. It is very slow going! At first I just needed to see whether the shading of the brocaded cloth would look authentic enough in this scale of stitching, and whether the colors worked well together. It does, and they do, so I had no excuse but to get stitching! The problems I encountered first had to do with my inadequate sketching of the shaded areas of the gown. I was somewhat ambivalent in many spots about exactly where the "shadowed folds" started and ended. And my initial sketch had allowed for too many subtle shadows... in this scale I was going to need to "consolidate" multiple cloth folds into single definite shaded areas. This is particularly necessary on the sleeves and bodice part of the gown. Those very parts that I had not even attempted to ink in the brocade "pattern"! That had to be done before I could make any progress.
Once that was done, I still didn't have the courage to start on the bodice...
But perhaps I could make some progress on the shadowed side of the skirt...
learn how the folds look once they are stitched...
The stitching requires that I work with all the colors simultaneously,
because I am not confident enough of my chart!
So I stitch a small amount of the "pattern" color,
keeping within a certain area of either the shadow,
the highlight or the true color.
Then I add the "background" color for that particular area,
and make sure I like the result before I get too far along.
The number of times I unstitched an area can't be counted!
But eventually I decided I had to make a start on the bodice area.
I start with the darker shadows because they define the shapes.
The bodice area is small.... not many stitches of each color!
And adding to my uncertainty about the shadows was the little dog!
The darker shadow color was too close to his fur color...!
It would confuse the eye!
I had to shift my shadows a little
and make sure the brighter "pattern" colors
landed in the few tiny spots next to the dog!
This is the sort of design dilemma that I will remember
for next time I am charting a project!
But I forged ahead... stitch by stitch....
And unstitch and restitch.....
And of course, while you are stitching it
you think it really is not going to work....
Too much detail in too small an area.
I probably should have "simplified" my "pattern"
on the small sleeve and bodice area.
But I kept on... trying to make the
shadows and highlights fall naturally.
And once the entire sleeve is finished....
it doesn't look as bad as I thought it would!
The missing shadows are not really missed!
And then the right sleeve...
which has even smaller surface area
and much more of the pale "highlight" colors.
I would stitch two stitches and then change my thread color!
But it really does make the gown begin to look as it should!
Another really difficult area
is the shadows under the arm and sleeve on the right...
where she is reaching over to pat the dog.
Again, it needed to stand apart from the dog color
and needed to have some fold to the cloth
which then extends down the length of the skirt.
I am fairly certain that none of this is "detectable" to the casual observer...
but I am confident that the subtle changes do make a difference in the long run.
And the long run is really only evident as the skirt grows in length...
Subtly shifting to the highlighted colors on this side of the gown.
And still preserving the shadow of the fold in the cloth...
only one or two stitches wide!
Believe me, stitching this is not easy!
But progress is being made!
And I am loving how it looks!
I have yet to design the "pattern" for the folds of the gown at the feet...
yards and yards of draped folded brocade!
Yikes!
Slow and Steady,
Stitch by Stitch...
I am really enjoying this project!
Wonderful!
ReplyDeleteKnowing nearly nothing about stitching, Betsy, I can't imagine how difficult this challenge truly is. But I know you are delighted by detail, so I am glad to see how much fun you are having with this project! For me, it is so much fun to see the photos as the dress progresses and to get to see the pattern emerge! I don't know if anyone else is noticing or not, but it seems to me that with each photo and bit of progress, the first maiden's eyes are getting greener and greener with envy, lol! The colors are beautiful!
ReplyDeleteEs increíble los que estás logrando. ¡Precioso!
ReplyDeleteStitching isn't easy and very time consuming. Yours is twice as difficult. half being being your own design. You can be proud of what you have achieved so far. The colors are beautiful, perfectly medieval, including the head dressings. Wonderful work as always.
ReplyDeleteHugs,
Drora
It’s looking stunning Betsy, and dare I say it - better than the lady in pink. She has a richness and detail missing in the other lady.
ReplyDeleteYour lady's pattern is becoming more intricate and downright spectacular every time you work on it. It is stunning to see this lady develop from idea via a sketch into stitched reality. The pattern of her dress, the shadows in the folds of the cloth. It is amazing!
ReplyDeleteHuibrecht.
I'm a bit late again because hot temperatures kept me away from my computer but I'm glad I finally made it to say: WOW!!! That's impressive progress... even more regarding that you're developing your own design. No doubt this is means a lot of extra work with thinking, planning and sometimes un-doing but it's worth the effort. Although the lady is not finished yet you can already be proud of yourself. It's your first own design and it turns out awesome. When looking at the progress pictures I had to think that your lady is much more detailed and very much more difficult to stitch than the original lady from Janet's design. The brocade pattern is something only a pro can do and it's fascinating to see you handle it. I have no doubt you're learning valuable lessons for future designs made by you... and without any doubt this piece is going to become a masterpiece.
ReplyDeleteHugs
Birgit
Your careful needlework and artistic alterations to the pattern of the gown are PERFECTION, Betsy! You're composing your canvas with stitch-strokes of highlights and shadows with threads as opposed to paint- Most Impressive!
ReplyDelete